Music as a Character in Rezo Sherozia’s novel „The Room of Solitude“

Authors

DOI:

https://doi.org/10.52340/zssu.2025.17.02

Keywords:

Romanticism, Chopin, Baratashvili, Personification of music

Abstract

Professor Revaz Sherozia, in addition to being a linguist, scholar, and educator, also wrote literary works — poems and short stories — under the pseudonym Juma Jumiteli. He received formal music education, having graduated from the Second Music School named after Z. Paliashvili in 1969, and composed numerous melodies.
The article examines R. Sherozia’s short story In the Room of Solitude, focusing on the author’s perspective on music. Literary history offers examples where abstract phenomena are transformed into characters. The paper analyzes how music in this story is personified, animated, and spiritualized — what role it plays in revealing the psychological state of the characters, and whether it influences the development of the plot.

The study employs literary interpretation and hermeneutic analysis, including an overview of the poetic and cultural structures of the text, observations on the characters, and the author’s expressive devices.

Author Biography

Khatuna Gogia, Shota Meskhia State Teaching University of Zugdidi

Doctor of Philology, Associate Professor at ZSU

References

შეროზია რ., მარტოობის ოთახი, ქუთაისი, აკაკი წერეთლის სახელმწიფო უნივერსიტეტის გამომცემლობა, 2018.

ხინთიბიძე ე., „ვეფხისტყაოსნის მოცალეობა“. „ვეფხისტყაოსნის“ იდეურ-მსოფლმხედველობითი სამყარო, ჟ. „ქართველოლოგი“ თბ., 2009.

Kramer, Lawrence. „Music as Narrative or Music as Character: The Musical Poetics of Thomas Mann’s Doktor Faustus.“ In Music and the Forms of Life (გვ. 73–92) (განთავსებულია კრებულში: Music and the Forms of Life, University of California Press). 1995.

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Published

2026-01-13

How to Cite

Gogia, K. (2026). Music as a Character in Rezo Sherozia’s novel „The Room of Solitude“. KREBSI, 17, 40–48. https://doi.org/10.52340/zssu.2025.17.02

Issue

Section

HUMANITIES